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Friday, January 10, 2020
Rafael Nadal on Doubt
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Wednesday, January 2, 2019
Tennis Reminders
Tennis Reminders
In an earlier post, Can I? versus I Can!, I shared results of research on how people performed when they asked themselves the question “Can I do this?” versus coaxing themselves with “I can do this!” I mentioned that I apply this by asking myself “Can I play well today?” then answering “Yes!”
At the end of that post I also mentioned that I also use the acronym LIFE3 as part of my pre-match routine to remind why I’m playing: to Learn, Improve, have Fun and to Express myself, to Explore my capabilities and to Exercise.
The final pre-match self-talk covers key reminders on the techniques I want to use. I use two phrases, one for groundstrokes and one for serving. For groundstrokes I say, “Watch me Catch Butt.” This actually contains three reminders in one. Watch: reminds me to watch the shadow of the ball. Why the shadow? To narrow my focus to something specific on the ball, not the ball itself. (I actually don’t watch the ball over its entire flight. More on that in a later post. Hint: has to do with something called saccadic eye movements.) Catch: reminds me that on my forehand I’m holding my left arm across my body and basically parallel to the baseline as if I’m going to catch the ball. This forces me to turn my upper body, which sets up the coil needed to generate power. On the backhand I pretend I’m going to catch the ball with the butt of my racket. On volleys Catch reminds me to set up my racket as if I’m catching the ball with it. Butt: reminds me to pull the racket through contact to help generate racket speed.
Finally, when serving, I use the word UP to remind myself that I’m hitting Up on the ball and to Pronate.
By the way, in case you were wondering, here is a little background on my tennis playing ability and experience. When I’ve taken tennis lessons in the past couple years I’ve asked the four different instructors how they’d rate me on the NTRP (National Tennis Rating Program) scale. All of them say I’m at least a 4.0, maybe a little higher. Of course, all of them say this is based on what they see during lessons and that the rating could change depending on how I play in actual matches.
I constantly study the game by watching YouTube videos, reading many books and subscribing to a bunch of email newsletters of pros and instructors such as Wil Hamilton, Clay Ballard, Brent Abel, Peter Freeman, Ramon Osa, Jorge Capestany, and Ian Westermann. For the last three years I also have kept a tennis journal in which I rate myself whether I made incremental improvement in technique, tactics and my mental/emotional state. The journal also records observations on areas that need to be worked on for the next match.
I also use the Babolat POP wrist sensor to track my strokes. The POP collects average and maximum speeds of groundstrokes and serves, the kinds of groundstrokes (top spin, slice or flat) and gives an overall rating based on spin, speed and style. (I record this information in a spreadsheet to look for trends.)
All of this information aims to show that even though I might not be a 4.5 or higher rated player my constant study has resulted in my game continuing to advance. I believe I’m playing better now at the age of 67 than I have ever played before in the 50+ years that I’ve played this sport. And I’m not done!
UPDATE 1/2/2019
Since writing this a year ago I've tweaked and added to my pre-match routine. The UP reminder for serving now is PUPSS which stands for Point at the toss, hit Up, Pronate, start the serve take back Slowly and try to keep my body Sideways longer. I added these to my pre-serve reminder because I was finding myself starting the take back too fast then stopping or slowing down and my body was opening to the court too early which I think caused my first serve to go into the net too often.
The following might sound hokey but I also ask why am I playing. The answer is LIFES. This stands for to Learn more about the game and myself, to Improve, to have Fun, to Explore, get Exercise, have Excitement and Express myself with Style. The Style reminder is to get me to focus on playing smoothly and on the process of hitting the ball rather than the results. I got this idea after reading Gabriele Wulf’s Attention and Motor Skill Learning in which she describes the results of her research on the difference between having an external focus rather than an internal focus in performing athletic skills.
Here is how Amazon summarizes her book. “Attention and Motor Skill Learning challenges traditional views that the method of learning a motor skill involves focusing attention on each part of the skill and internalizing proper execution. Instead, author Gabriele Wulf argues that the learning of new motor skills suffers when attentional focus is on the coordination of movements. When attention is directed to the desired movement effect, however, performance levels rise. Not only is a higher level of performance often achieved faster with an external rather than an internal attention focus, but the skill is retained better.”
Her book discusses experiments she conducted with people doing a variety of skills such as standing on a balance bar and trying to keep it steady. The internal group was told to try to keep their feet as steady as possible while the external group was told to try to keep two lights that were on the balance beam as steady as possible. The external group consistently did better than the internal group and maintained this advantage when tested days or weeks later.
You could argue that my emphasis on making my shots with style actually is an internal focus but I would say it’s more of an external focus. By thinking about making my strokes with smooth style I’m thinking about the result, not on the mechanics of how to play with style. And I’m thinking mostly about how the forehand, backhand or serve look when they’re completed rather than the whole stroke. Bottom line: I think it works, at least for me!
Friday, December 14, 2012
The Science of Productivity
Monday, October 22, 2012
The 50 Best Social Psychology Books on Persuasion, Influence and Understanding Your Brain
This is an interesting list of books. I've read 19 of them, seven of which fall in the top ten, so I'd say it's likely I'd like most of the other books he recommends. In case you're interested, I've read the following books on his list.
Monday, February 7, 2011
Bounce, Clutch and Choke: Reviews
Why do some people perform well under pressure while others don’t? Why do some bounce back from adversity or come through in a clutch while others choke? That is the subject of three books, each of which tackles the subject from a different angle. Each author has different credentials as well.
The books are:
Choke: What the Secrets of the Brain Reveal About Getting It Right When You Have To by Sian Bielock
Bounce: Mozart, Federer, Picasso, Beckham, and the Science of Success by Matthew Syed
Clutch: Why Some People Excel Under Pressure and Other Don't by Paul Sullivan
Sian Bielock is a professor who conducts research in this field. Matthew Syed, the author of Bounce, writes for The Times of London, is a commentator for the BBC and was three time Commonwealth table tennis champion and a two-time Olympian. Syed can speak from direct experience about performing under pressure. Paul Sullivan writes “Wealth Matters” column for The New York Times. So you have someone whose career studies performance, someone who performing at the world class level of table tennis and a financial columnist. As you can imagine each one looks at this issue a bit different and each author finds different reasons why we come through in a clutch or choke.
Bielock concludes that practicing under pressure enhances performance, even cognitive performance. She tells us the ability to control our thoughts and images play a crucial role. Bielock lists several tips to help us prevent choking such as reaffirming our self-worth, meditating, pausing before acting and reinterpreting our reactions. As an example of this last tip she encourages us to reframe a reaction such as “I am freaking out” about facing a challenge to “I am pumped for this test!”
Bounce also talks about the importance of practice. Syed draws on the research of Anders Ericsson, psychologist at Florida State University, who coined the term “deliberate practice.” Ericsson noticed that world class performers practiced in a different way than others. “When most people practice, they focus on the things they can do effortlessly. Expert practice is different. It entails considerable, specific, and sustained efforts to do something you can’t do well – or even at all. Research across domains shows that it is only by working at what you can’t do that you turn into the expert you want to become.” Syed calls it purposeful practice. Why? “Because the practice sessions of aspiring champions have a specific and never-changing purpose: progress. World-class performance comes by striving for a target just out of reach, but with a vivid awareness of how the gap might be breached.”
This emphasis on purposeful or deliberate practice parallels Bielock’s recommendation to practice under pressure.
Bounce also ties in works I’ve reviewed here: Colvin’s Talent is Overrated, Coyle’s The Talent Code and Dweck’s Mindset.
Syed introduces another term as well: doublethink. Unlike many writers who urge us to focus only on the positive, Syed tells us we need both positive and negative thoughts. We need a positive focus to protect our self-belief while also noting our weaknesses that need to be improved.
He also explains how our brain has explicit and implicit systems. When we learn a new skill we operate on the explicit, conscious level. As we become proficient and develop mastery of a skill the brain hands over the performance to our implicit, subconscious system. It takes thousands of hours of purposeful practice to cement a skill into an unconscious mode. We choke when under the intense light of pressure we try to push the skill back into the explicit, inherently slower and more error prone system. As soon as we start to try to consciously control something we had automatized we run into trouble and can choke. Golfers call this a case of the "yips."
Sullivan’s Clutch draws some general conclusions by using examples of high performers in various fields. He believes people who choke share three traits: 1. They don’t take responsibility for choking, 2.They over think what they’re doing, and, 3. They fool themselves with overconfidence.
He then identifies five key traits of people who perform well: focus, discipline, adaptability, presence and being motivated by fear and desire. Sullivan’s last trait is similar to Syed’s recommendation to properly use both positive and negative thoughts.
So where does all of this leave us? Each book lays out somewhat different approaches. Are there common denominators? I think there are. While none of the ideas appeared in all three books there were several that popped up in two of them.
- Practicing purposefully and under pressure.
- Proper use of positive and negative thinking.
- Being fully in the present while performing. This allows us to focus on the outcome instead of worrying about how we going to get to our goal. However we need to sharply focus on technique during purposeful practice. The combination of these ideas helps us avoid over thinking and overconfidence.
- We need to be adaptable and use judgment when applying our principles.
- When performing we can lessen the pressure by telling ourselves we’re not, say, serving for the winning game of the U.S. Open. We’re just serving any other game.
If forced to choose one of these books it would be a tough one but I’d lean towards Bielock’s Choke. I’d do so partly because her career is dedicated to learning why some people choke and why others don’t and because she offers more practical tips. Having said that any one of these books will help learn how to perform under pressure.